Born in San Francisco, the precocious only child of Sicilian immigrants, [Philip] Lamantia discovered the expressive mode that would drive his imagination when, in 1942, exhibitions of the work of both Dalí and Miró arrived in the city. Entranced by images that appeared to emerge from an unknown reality, the fifteen-year-old immersed himself in Surrealist texts and resolved to attempt with words what he had seen done with paint. […]
— Albert Mobilio, BookForum
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