"It never did any child any harm to have something that was a tiny bit above them anyway, and I claim that anyone who can follow Doctor Who can follow absolutely anything." — Dianne Wynne Jones

"Reflections on the Magic of Writing is a collection of some thirty pieces written over the years by the late Diana Wynne Jones. Most are short, like her comments on “Reading C. S. Lewis’s Narnia” or her review of Mervyn Peake’s Boy in Darkness, and several are occasional, like her unpublished letter of 1991 to the TLS on “The Value of Learning Anglo-Saxon”, or the school Speech Day address of 2008 on “Our Hidden Gifts.” Longer pieces include a previously published article on “The Shape of the Narrative in The Lord of the Rings,” three lectures given on “A Whirlwind Tour of Australia” in 1992, and a conference paper from 1997, “Inventing the Middle Ages.” [...]
     Her memories of Tolkien are, however, untouched by sentiment. She confirms the reports that he was a dreadful lecturer, disorganized and inaudible, so bad that she wonders if he was doing it on purpose; for in those days, if you had driven your audience away by, say, the third week, you could cancel the rest of the seven-week course 'and still get paid.' She sat there obdurately, however, and learned a lot about the way you could tweak a story from simple quest-narrative to The Pardoner’s Tale. Her long analysis of The Lord of the Rings as a series of movements, each with its own coda, says more about that narrative than, I suspect, Tolkien could."
— Tom Shippey, The Times Literary Supplement
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Caveat Lector

"[G.P.] Taylor [bestselling children's author of the Vampyre Labyrinth series] believes it is necessary to establish an age-ranging system for children's literature – despite the fact that the idea was mooted by children's publishers four years ago to widespread protests by authors. 'We've got Dickens with Oliver Twist who was abandoned by his parents and went off on a journey. We've got the Famous Five whose parents were quite neglectful and who went off on a journey. There was always safety. They never went as far as they did today. I think the way forward is a certification system for books, the same way we have in films,' said Taylor. 'For children, we've got to be really careful. [And] we've got to have a guide for parents.' [...]
     His views were roundly rebutted on BBC Breakfast by the writer Patrick Ness, who earlier this summer won the Carnegie medal for the second year running for his novel A Monster Calls, about a boy whose mother has cancer and who is visited by a monster.

     Ness welcomed the darkness in the literature written for teenagers today, and rejected the idea of age-ranging children's books. 'All you have to really do is read what teenagers write themselves, and I've judged competitions for teenagers writing and it's darkness beyond anything I would come up with,' said Ness. 'Teenagers look at this darkness all the time, and I always think if you're not addressing it in your fiction then you're abandoning them to face it themselves.'"
— Alison Flood, The Guardian
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