Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Wednesday, October 16, 2013

"[…] cheerfully preposterous."


The Shining is introspective, austere, and unsettlingly plausible, which is why it comes to mind whenever you visit a creepy hotel, play croquet, or see an angry dad with his kid. But [Stephen King's] Doctor Sleep, which feels less like a sequel and more like a spinoff, is unapologetically fun, free-wheeling, and bizarre.
     It’s about a wandering band of psychic vampires who stalk clairvoyant children, kill them, and then inhale their 'steam,' or psychic energy, for food. A grownup Dan Torrance—the little boy from The Shining —must help a young girl fight off these vampires, who have sensed her psychic abilities from afar and have chosen her as their meal of the week. In place of its predecessor’s unsettling familial violence, Doctor Sleep has thrilling gunfights, absurd satanic rituals, and wildly entertaining telepathic showdowns. In a chatty author’s note, King more or less admits that he didn’t try to make Doctor Sleep as terrifying as The Shining: 'Nothing can live up to the memory of a good scare,' he writes, 'especially if administered to one who is young and impressionable.' Instead, he says, he set out to tell 'a kick-ass story.' He succeeded."
— Joshua Rothman, The New Yorker
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Wednesday, August 14, 2013

"... a sweet ride"


"Toronto-based thriller writer Linwood Barclay has many admirers, including such superstars as Michael Connelly, Peter Robinson, Robert Crais and Stephen King, who provided a fulsome blurb for Trust Your Eyes, Barclay’s previous novel, in which he says, among other complimentary things, 'My idea of a sweet ride is three days of rain, a fridge full of snacks, and a new Linwood Barclay.' […]
     In A Tap on the Window, Barclay takes us through low-level drug-dealing, young love, teenage disaffection, corrupt cops, petty thievery, family dysfunction and deeply buried secrets. And, incredibly, to a dark conclusion that ties it all together into a tidy, believable package without even a hint of sentiment.”
— Jack Kirchhoff, The Globe and Mail
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