Friday, July 27, 2012

What's the Big Deal?

From: Comic Book Realm

"[...] When they are starting out writers rarely make anything at all for what they do. I wrote seven novels over a period of six years before one was accepted for publication. Rejected by some twenty publishers that seventh eventually earned me an advance of £1,000 for world rights. Evidently, I wasn’t working for money.
     What then? Pleasure? I don’t think so; I remember I was on the point of giving up when that book was accepted. I’d had enough. However much I enjoyed trying to get the world into words, the rejections were disheartening; and the writing habit was keeping me from a 'proper' career elsewhere."
— Tim Parks, The New York Review of Books

"What does it take to land a million dollar book deal lately? Well, so far in 2012 there’s been the case of the celebrity memoir (Cissy Houston, Whitney’s mother), the notorious inside story (Amanda Knox), and the dramatic newsmaker (Greg Smith, the guy who quit working at Goldman Sachs with his infamous op-ed).
     With fiction, it gets slightly more complicated. Of course, there’s typically a bidding war for a follow up novel after a major bestselling success. Matthew Pearl’s move to Penguin Press for his next historical thriller called The Bookaneer and Neil Gaiman’s recent deal for five children’s books fall into that category.
     But the most romantic seven-figure book deals—what Publishers Marketplace calls a 'major deal' in their insider publisher code to indicate the amount of money involved—are debut novels."
— Claire Kelley, Melville House

No comments:

Post a Comment