Showing posts with label lost manuscripts. Show all posts
Showing posts with label lost manuscripts. Show all posts

Friday, November 22, 2013

storage and retrieval

From: Who Is Your Lawyer?

“On this day in 1956 [November 19], while visiting the Ritz Hotel in Paris, Ernest Hemingway was alerted by the staff that he’d had two trunks stored there since the 1920s, and if he didn’t claim them, they’d be tossed in the trash. Hemingway was surprised when he claimed the luggage and found lost manuscripts and notes, some of which would eventually make up A Moveable Feast, one of the most famous literary memoirs ever.
     Remembering the unlikely rescue of Hemingway’s work gives us a moment to pause and think about all the work by all the greats that didn’t actually make it. Whether tossed into the fire, stolen, or just plain lost in a box somewhere, here are a few storied pieces of writing that we’ll probably never get to read.”
— Jason Diamond, Flavorwire
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“As the literary-minded will no doubt recall, on the cusp of Hemingway’s early fame virtually all of his finished but as yet unpublished work was lost in a bizarre twist of fate. The incident, which occurred in late December, 1922, is noted by Hemingway in A Moveable Feast and receives half a paragraph in Carlos Baker’s biography of Hemingway.
     As Baker reports, Hemingway’s first wife, Hadley, before catching a train from Paris to Switzerland to meet her husband, had packed all his manuscripts (except for Up in Michigan and My Old Man) 'in a separate small valise so that he (Hemingway) could get on with his writing during the Christmas season.' However, at the Gare de Lyon someone purloined the bag holding Hemingway’s pages — which contained poems and short stories and the beginning of a novel never again seen.”
— Robert Scott Lawrence, Who Is Your Lawyer?
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Wednesday, July 13, 2011

Eat My Words

Kerouac's scroll manuscript of On The Road (Photo: Wikimedia Commons)





"[Jack] Kerouac did not type the draft [On The Road] on ordinary sheets of paper, but on a scroll. Before sitting down to type, Kerouac made the scroll by cutting 20-inch-wide lengths of tracing paper into narrower 9-inch strips that fitted into his typewriter. He then pasted them together into 12-foot-long reels of paper so that once he had started, he did not have to stop, just type. The spontaneous outburst of creativity and unrevised rhythm was fuelled only, Kerouac said, by coffee.
[...] The scroll is almost 120 feet long. It looks like a road and a journey in itself. However, the end of the scroll, containing Kerouac’s original ending, is missing. At the current end is a handwritten note from Kerouac that says: 'DOG ATE [Potchky - a dog]'. Potchky was a cocker spaniel owned by Kerouac’s friend Lucien Carr. Nobody knows how much longer the scroll was before Potchky sank his teeth into it.

[...] In 1644, Theodore [Reinking] wrote a political tract entitled Dania ad exteros de perfidia Suecorum. [...] At that particular point, just after the Thirty Years’ War, Denmark was a shadow of its former power, and in sway to the strength of its neighbour, Sweden. Reinking’s tract blamed the Swedes roundly for this appalling situation. Whatever the literary merits of Reinking’s work, or its accuracy, the Swedes took agin it. The tetchy Scandinavians cast Reinking into a dark prison, where he mouldered for many years. At last, he was offered a stark choice: to lose his head or eat his book. (An early variation on Izzard’s cake or death, obviously.) A politician through and through, Reinking preferred the culinary challenge. We don’t know whether his tract was weighty enough to provide an entire meal or merely an amuse-bouche, or whether he acted alone or with kitchen accomplices, but he boiled his manuscript up into a broth and ate it that way." — Lost Manuscripts
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