Showing posts with label Roger Rosenblatt. Show all posts
Showing posts with label Roger Rosenblatt. Show all posts

Friday, September 20, 2013

“Censorship reflects a society’s lack of confidence in itself. It is the hallmark of an authoritarian regime…” – [U.S.] Justice Potter Stewart (1966)

From: U.S. Embassy, Nigeria




















"A lack of 'literary value' has apparently left Ralph Ellison's landmark 1952 novel, Invisible Man banned from school libraries in Randolph County, N.C., the Asheboro Courier-Tribune reports. […]
     As the school district's policy requires, the complaints [of a Randolph County, N.C. parent of an eleventh grader] lead to votes on the school and district levels. Both held that the book should remain available to students in the library. However, in a 5-2 vote, the school board voted to ban the book, with one board member, Gary Mason, stating, 'I didn’t find any literary value.'
     Mason's blunt assessment however, runs counter to decades of intellectual criticism of the novel, which won the 1953 National Book Award for fiction, beating out Ernest Hemingway's The Old Man and the Sea and John Steinbeck's East of Eden.
     In 1995, writing for the New York Times, Roger Rosenblatt praised the novel as a masterpiece.
     'Ralph Ellison's Invisible Man, which won the National Book Award in 1953, was instantly recognized as a masterpiece, a novel that captured the grim realities of racial discrimination as no book had,' Rosenblatt wrote. 'Its reputation grew as Ellison retreated into a mythic literary silence that made his one achievement definitive.'"
Huffington Post
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"[…] All [Randolph County Board of Education] members were given copies to read before the vote. Board Chair McDonald said 'it was a hard read.'
     Mason said, 'I didn’t find any literary value' and objected to the book’s language. 'I’m for not allowing it to be available,' he added.
     A school district official said ahead of the vote that Invisible Man was just one of many options in school libraries, and that no student was forced to read it. She also stressed that the state Department of Public Instruction approved the book for student consumption.
     Invisible Man was one of three books that Randleman High School juniors-to-be in the 2013-14 school year could choose to read for the summer. Black Like Me by John Howard Griffin and Passing by Nella Larsen were the students’ other choices. Honors students had to choose two of the three books."
rt.com
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Here's another post about censorship...

For a list of books banned in the U.S. go here...

Here's a link to what's happening in your area of the U.S.A. during Banned Books Week — September 22 - 28, 2013.

Buy Ralph Ellison's Invisible Man and the other books mentioned in these posts here...

Sunday, March 17, 2013

Screen Writer



"When I was 13 or so, I watched a movie in which a young writer (played by Frank Sinatra?) and his girlfriend go to an Italian restaurant to celebrate the acceptance of his first short story. The restaurant’s owner is celebrating too, as are all the people sitting at the other tables, which are covered with checkerboard tablecloths and lit by candles dripping wax. Everyone wishes the writer well, no one more so than I, who tried to foresee such a moment when I, too, would become a writer. The acceptance of the story. The cheers. The girl and the life of my dreams.
     Most films about the writing life are more accurate, because writers write them. And rarely is the writer shown as successful, triumphant or — are you kidding? — happy."
— Roger Rosenblatt, The New York Times
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"The movie ['Finding Forrester'] contains at least two insights into writing that are right on target. The first is William's advice to Jamal that he give up waiting for inspiration and just start writing. My own way of phrasing this rule is: The Muse visits during composition, not before. The other accurate insight is a subtle one. An early shot pans across the books next to Jamal's bed, and we see that his reading tastes are wide, good and various. All of the books are battered, except one, the paperback of James Joyce's Finnegans Wake, which looks brand new and has no creases on its spine. That's the book everyone buys but nobody reads."
— Roger Ebert, Chicago Sun-Times
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What I find irritating about movie (and television) depictions of writers-at-work is the mandatory scene of the anguished protagonist pulling a besmirched-with-words sheet of paper from his/her typewriter, vehemently crushing it into ball and tossing it into an overflowing — with similar tainted and disfigured pages — wastepaper basket.
     No matter what our omnipresent "inner critic" says about it, who in their right mind would discard a first draft?
     And who, in this post-"Murder She Wrote" age, still uses a typewriter?