blessed be the soothsayer

Ivan Sutherland wearing his Virtual Reality device (1968)
From: yahoo

"[…] Digital books are still painfully ugly and weirdly irritating to interact with. They look like copies of paper, but they can't be designed or typeset in the same way as paper, and however splendid the cover images may look on a hi-res screen, they're still images rather than physical things. To my irritation, you still can't flick through an ebook properly; you can't riffle the pages, you can't look at more than one page at once. And the advantages of having a book in digital form (easy scrolling text, proper shareability, a global text search of your library, synchronisation with audiobooks, links to television adaptations, person-to-person sales) have been ignored in favour of a weak simulacrum of paper. Better, a lot of the time, to shove a paperback in your pocket. And for when you forget, well, there's still your phone.

     Until a digital book is a magical object which physically transforms from 50 Shades into the new James Smythe novel according to your whim; until you can walk through a digital library and open books at random; until the technology becomes as satisfying to the physical senses as the text is to the cognitive self, there's still a need for shiny, gorgeous, satisfying books. And when those things happen, if they do, we will have lost nothing in the transition.”
— Nick Harkaway, The Guardian
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Canadian Author Adrian Barnes Shortlisted for the Arthur C Clarke Award

"Reinforcing science fiction's image as a boys club the UK's most prestigious prize for the genre, the Arthur C Clarke award, has announced an all-male shortlist – for only the second time in its history.
     The six books in the running for the Arthur C Clarke – a mix of titles by major SF writers Kim Stanley Robinson and Ken MacLeod with lesser known debuts – follow an all-male shortlist for the reader-decided British Science Fiction Association prize, which was won earlier this week by Adam Roberts for Jack Glass.
     Roberts failed to make the cut for the Clarke award, however, pushed out by Robinson's story of an inhabited solar system 300 years in the future, 2312, Scottish award-winner MacLeod's dystopian vision of a London where genetic defects can be wiped from unborn children, Intrusion, and Nick Harkaway's acclaimed Angelmaker, a whirlwind race to save the world from a 1950s doomsday machine. Canadian author Adrian Barnes, published by tiny press Bluemoose, is in the running for Nod, in which humanity's sudden inability to sleep has devastating consequences, Chris Beckett for Dark Eden, where the incestuous descendants of two stranded astronauts try to make a life for themselves on a far flung planet, and Peter Heller for the post-apocalyptic The Dog Stars, set in a world destroyed by the flu pandemic."
— Alison Flood, The Guardian
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Buy all the books on the shortlist here...

Books that grab you

"Nick Harkaway's Angelmaker, which manages to combine a 90-year-old super spy, a clockwork repairman and a cunning plan to destroy every living thing in the universe, has won him the Kitschies Red Tentacle award for the most intelligent, progressive and entertaining speculative novel of the year.

     Set up by the books site Pornokitsch, the Kitschies go annually to books that 'elevate the tone' of genre fiction. The Red Tentacle prize for best novel – which comes with a large, tentacular trophy, £1,000 and a bottle of Kraken rum – has been won in the past by books including Patrick Ness's A Monster Calls, Lauren Beukes's Zoo City and China Miéville's The City and the City.
     Harkaway's second novel, Angelmaker, in which gangster's son turned clockwork repairman Joe Spork tries to put a stop to monks who are plotting the universe's destruction, beat titles by Adam Roberts, Frances Hardinge, Jesse Bullington and Julie Zeh to win this year's award."
— Alison Flood, The Guardian
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Get all the books mentioned in this post here...

"[...] slabs of plastic [...]"

The 1989 Atari Portfolio [...] "a marvel of miniaturization" (from: Retro Thing)

"[...] E-readers are uninspired. They're slabs of plastic with fiddly controls and display a badly-formatted, typographically impoverished rendering of a paper book. That's not the electronic book I want. I want a gorgeous physical object, with paper pages, that can transform into any story I choose, perfectly presented on the page. I want a device from a fairytale, not a bargain bucket. Although, sure, I'd like it to be affordable, too. And that will not happen if one company controls the market. Why should it?
     Digitization was supposed to lead to a great democratisation of access to creative work. The putative business model of the internet age is the garage band, the plucky underdog cottage business that can, by canny use of information technology, compete with the big boys and win. What we're getting is the opposite, a great centralisation of access and, ultimately, control. It turns out that if you want to sell your garage-made product these days, you need a watering hole, a place with many visitors who may want what you're selling, because the hardest enemy is obscurity. Amid the babble of new voices, distinctive ones can be missed even by those looking for them."
― Nick Harkaway, The Guardian
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