Showing posts with label Jesus. Show all posts
Showing posts with label Jesus. Show all posts

Monday, December 9, 2013

"[...] between two loud claps of thunder"


“Most of us will for a time occupy this anxious, transitional space between two worlds, as described by Lord Byron in Don Juan (Canto Fifteen): 'Between two worlds life hovers like a star, / ’Twixt night and morn, upon the horizon’s verge.'
     Holy Saturday unfolds in this dark space, in the tomb where Jesus lay in a kind of unrealized state, perhaps plunging into psychic or spiritual depths in what has often been called the Harrowing of Hell — a legend without much scriptural basis suggesting that Jesus made a kind of wild descent, with mythic overtones, into the underworld.
     In fact, mythologies often describe a turn when the hero descends to a deep pit or a place of psychological, spiritual, or physical confinement, as when Jonah spent three days in the belly of the whale or Gilgamesh descended into the underworld in a quest for immortality. Nearly all heroic or mythic tales include a part of the heroic cycle where the hero visits some version of Hell or Hades in his or her quest for immortality (Ishtar, the Babylonian goddess, is a female example).
     In any case, the Sacred Sabbath, as it’s often called with reference to Easter weekend, represents a place where Jesus dives into the darkness before the Resurrection. It lies between two loud claps of thunder, an emptiness wherein we sense a horrifying loss of life, on the one hand, yet remain expectant: in a state of gradually realizing awareness of the life to come. […]
     In John, Jesus passes through locked doors like a ghost — an unsettling image that suggests an incorporeal aspect, stressing his spiritual nature. In Luke 24:41–43, he astonishes his disciples by eating 'a piece of broiled fish' as well as swallowing honey.
     It’s as if, by looking at him, they didn’t expect as much. He has to prove his real presence. For the most part, the appearances of Jesus retain a dreamlike quality, as in Paul’s conversion on the road to Damascus, where he hears a voice from the Lord, which says: 'I am Jesus, the one whom you persecute' (Acts 9:5). When Paul opens his eyes, however, he sees nothing. The spirit has vanished.
     Huge questions confront anyone thinking about Jesus. Did he really rise from the dead? Was there an actual Resurrection? If so, what would that look like? A large number of Christians throughout history have imagined a resuscitation, refusing to countenance the slightest hint that the Resurrection should be regarded as something beyond human understanding. I myself would argue this: life and death are mysterious, at best, and the membrane between the living and the dead is a porous one, perilously thin.”
— Jay Parini, Salon
from his book Jesus: The Human Face of God
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Buy this book here...

Saturday, April 20, 2013

Typecast

From: movie poster shop

"Last month, American television audiences were shocked: when Satan showed up in the History Channel’s new mini-series The Bible, he looked strikingly like President Barack Obama. Responses were quick, and they came on all types of media from Twitter and Facebook to CNN and Fox News. Complaints sounded so loudly that the producers of the show were forced to respond, calling it ‘nonsense’ that they purposefully cast the Moroccan actor Mohamen Mehdi Ouazanni as Satan to look like Obama. The controversy hasn’t hurt the ratings for the 10-hour series. With more than 10 million people in the US watching each episode, The Bible has been the biggest cable TV hit of the year.
     One of the reasons for its popularity is that Americans care deeply about how biblical figures are represented in the flesh. Whether discussing the darkness (and Obama-ness) of Satan or the ‘sexy whiteness’ of Jesus, the ethnic ‘look’ of the characters has been just as important (if not more so) than what they have said or done on screen.
     This is not the first time US audiences have fixated on the portrayal of Biblical bodies. In 2004, they flocked to movie theatres to watch Jesus tortured and killed in Mel Gibson’s The Passion of the Christ. In that film, Jesus never spoke English, but his brutalized body was on display front and centre. In previous decades, people asked Martin Luther King Jr what Jesus looked like, and during the 1920s, Americans debated whether it was appropriate to show Jesus in films at all."
— Edward R. Blum, Aeon
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"Jesus has been depicted in art as triumphant, gentle or suffering. Now, in a controversial new sculpture in downtown Toronto, he is shown as homeless — an outcast sleeping on a bench. It takes a moment to see that the slight figure shrouded by a blanket, hauntingly similar to the real homeless who lie on grates and in doorways, is Jesus. It’s the gaping wounds in the feet that reveal the subject, whose face is draped and barely visible, as Jesus the Homeless. Despite [the] message of the sculpture — Jesus identifying with the poorest among us — it was rejected by two prominent Catholic churches, St. Michael’s Cathedral in Toronto and St. Patrick’s Cathedral in New York.
     'Homeless Jesus had no home,' says the artist, Timothy Schmalz, who specializes in religious sculpture. 'How ironic.'"
— Deacon Greg Kandra, Patheos
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You can buy The Bible (Old and New Testament in one edition) here...

See a related post here...