artist as criminal

From: Freedom to Read Week

"More than 500 of the world's leading authors, including five Nobel prize winners, have condemned the scale of state surveillance revealed by the whistleblower Edward Snowden and warned that spy agencies are undermining democracy and must be curbed by a new international charter.
     The signatories, who come from 81 different countries and include Margaret Atwood, Don DeLillo, Orhan Pamuk, Günter Grass and Arundhati Roy, say the capacity of intelligence agencies to spy on millions of people's digital communications is turning everyone into potential suspects, with worrying implications for the way societies work.
     They have urged the United Nations to create an international bill of digital rights that would enshrine the protection of civil rights in the internet age."
— Mathew Taylor and Nick Hopkins, The Guardian
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André Schiffrin (14 June 1935 – 1 December 2013)

"PARIS - Andre Schiffrin, the literary editor who gave readers Art Spiegelman, Michel Foucault and Studs Terkel before he was forced out of commercial publishing in a defining battle between profits and literature, has died in Paris. He was 78. Schiffrin, who died Sunday of pancreatic cancer, had sought out authors through his final days, dividing his time between New York and Paris as founding editor and editor at large of the non-profit New Press, said Ellen Adler, the imprint's publisher. Schiffrin founded the New Press after his highly public departure from Pantheon Books in 1990. At least four other Pantheon editors walked out with him, as did numerous authors.”
— Lori Hinnant, The Associated Press via Yahoo!
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“The demise of a force in American literary publishing, André Schiffrin, in Paris at age 78, offers a moment to reflect on how Big Publishing works, and exactly how deep is its true reverence for the cultural and intellectual values that it wheels out periodically to defend copyright extension, DRM, the Apple price-fixing cartel, and its other self-interested curbs on free expression. For the former chief editor of Pantheon Books was the focus of a storm over editorial integrity versus commercial pressures when he was fired by the company’s parent Random House in 1990, in a move which many authors and others dubbed corporate censorship.

From: Melville House

     Schriffrin’s father Jacques Schriffrin was the creator of the Bibliothèque de la Pléiade, an imprint with immense cultural prestige in France. The Schriffrin family fled to New York when Vichy France’s anti-Jewish laws demanded his father’s dismissal from the company he founded. In 1962, Schriffrin joined Pantheon Books, already in the hands of Random House, as executive editor, and championed authors such as Marguerite Duras, Günter Grass, and Noam Chomsky. However, the imprint was concerned to use its revenues to finance less commercially successful books rather than to enrich its parent’s bottom line, and eventually there was a collision with Alberto Vitale, the new chairman of Random House, who asked Schriffrin to resign after he refused to cut either Pantheon’s list or its staff. Writers who demonstrated or spoke out against his dismissal included E.L. Doctorow, Studs Terkel, and Kurt Vonnegut Jr.”
— Paul St John Mackintosh, TeleRead
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"A life-marker."

From: VQR

"The book cover for Günter Grass’s [The] Tin Drum represents everything for me that a good cover should. It’s not only a bold and beautiful design, it’s a cover that reminds me of a time and a space. A life-marker. It sat on my parents’ shelf next to Graham Greene, looking grown-up and exotic and probably a bit too clever for a little person to understand. But it looked exciting: the boldness and confidence of the illustration and type—as if the artist just picked up a brush and painted it on directly; the iconic Oskar and his vibrant red drum.
     Later, as a recent graduate working at Minerva Books in London, I helped design the paperback covers for Grass’s novels. I knew nothing about Grass at all, I hadn’t read a thing. I was given a pile of artwork—just black-and-white drawings—and was told that this was the artwork to be used. Flipping through the stack, I came across the icon of the drummer boy and was immediately transported back to my parents’ library."

— Jon Gray, The Virginia Quarterly Review
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