Showing posts with label Eimear McBride. Show all posts
Showing posts with label Eimear McBride. Show all posts

Monday, February 10, 2014

They're off...

“The inaugural shortlist of the latest literary award on the block, the Folio Prize, has been unveiled - with a strong showing by American authors.
     The prize, open to English-language writers from all around the world, pre-empts this year's Booker Prize, which is also expanding to a global level.
     The final eight books - out of 80 read by the Folio judges - span poetry, novels and short stories.
     The winner of the £40,000 prize will be announced on 10 March.
     On the shortlist are Red Doc by Anne Carson, Schroder by Amity Gaige, Last Friends by Jane Gardam, Benediction by Kent Haruf and The Flame Throwers by Rachel Kushner.
     The list is completed by A Girl is a Half-Formed Thing by Eimear McBride, A Naked Singularity by Sergio De La Pava and Tenth of December by George Saunders. Five of the writers - Gaige, Haruf, Kushner, De La Pava and Saunders - are American or US-based. Gardam is the only English writer on the list. Carson is Canadian, and McBride is Irish.”
— Tim Masters, BBC
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Friday, November 15, 2013

"adventurous…"


"Irish-British writer Eimear McBride has won the inaugural £10,000 Goldsmiths prize for her 'boldly original and utterly compelling' novel A Girl is a Half-formed Thing, which was originally rejected by publishers for being too experimental.
     McBride said there was 'a long time when I thought I would never have this book published, and I felt quite depressed about the state of publishing as a result. To have a prize like this is a really wonderful thing to encourage writers to be adventurous … to encourage publishers to be adventurous … and readers to be adventurous.'
     The book is a stream-of-consciousness account of an abused young girl who goes off the rails. Reviewing it in the Guardian, Booker prize-winning writer Anne Enright described McBride as 'that old fashioned thing, a genius, in that she writes truth-spilling, uncompromising and brilliant prose that can be, on occasion, quite hard to read.'"
— Liz Bury, The Guardian
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