Showing posts with label Doris Lessing. Show all posts
Showing posts with label Doris Lessing. Show all posts

Sunday, November 17, 2013

Doris Lessing (October 22, 1919 – November 17, 2013)

Doris Lessing, April 1956 (from: Books and Life)

"Doris Lessing, the Nobel prize-winning author of The Golden Notebook and The Grass is Singing, among more than 50 other novels ranging from political to science fiction, has died at her London home aged 94.
     The biographer Michael Holroyd, her friend and executor, called her contribution to literature 'outstandingly rich and innovative.'
     He said: 'Her themes have been universal and international. They ranged from the problems of post-colonial Africa to the politics of nuclear power, the emergence of a new woman's voice and the spiritual dimensions of 20th-century civilisation. Few writers have as broad a range of subject and sympathy.
     'She is one of those rare writers whose work crosses frontiers, and her impressively large output constitutes a chronicle of our time. She has enlarged the territory both of the novel and of our consciousness.'
     Nick Pearson, her editor at HarperCollins/4th Estate, said : 'I adored her.'
     He added: 'When I took over looking after her books she had a fairly formidable reputation, and the first time I went to meet her I was terrified, but she was always completely charming to me. She was always more interested in talking about the other writers on our list, what the young writers were working on – and reading – than in talking about her own books.'"
— Maev Kennedy, The Guardian
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Wednesday, November 13, 2013

"[...] bathroom book for the literary reader"


"If you're an avid follower of contemporary fiction — if you bookmark The Millions, subscribe to Bookforum, grind your teeth over the latest flap involving Jonathan Franzen, and, first thing, pull out the Book Review when you get the Sunday New York Times — then John Freeman’s How To Read A Novelist is the perfect, and perfectly modest, book.
     It’s a bathroom book for the literary reader, and I mean that in the nicest possible way. Composed of 55 short author profiles that Freeman wrote between 2004 and 2013 for dozens of newspapers and magazines in the US, Canada, Australia, and New Zealand, it’s a terrific compendium of insights into what contemporary writers are thinking and how they present themselves. The subjects range from Nobel Laureates (Toni Morrison, Orhan Pamuk, Doris Lessing, Nadine Gordimer, Imre Kertész, among others), writers who deserve to be Laureates (Philip Roth, Don DeLillo), top-tier novelists from all over the world (Edmundo Paz Soldán, Ngũgĩ wa Thiong’o, Salman Rushdie), a raft of younger American hotshots (Franzen, David Foster Wallace, Jennifer Egan, Dave Eggers, William T. Vollmann, Jeffrey Eugenides, Mark Z. Danielewski), and other big names like Margaret Atwood, E.L. Doctorow, Kazuo Ishiguro, and Haruki Murakami.
     The profiles are usually five to seven book pages and readable in 10 minutes or so: roughly what you’d get in a front-page spread in the 'arts and culture' section of a newspaper. They’re quick glimpses into an author’s life and work, and usually based on two- or three-hour interviews with the authors, held occasionally in their homes or in restaurants or, more often than not, in their publicist’s offices or in hotel rooms while they’re touring in support of their latest books."
— Cornel Bonca, Los Angeles Review of Books
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 Buy this book here...

Friday, February 24, 2012

A Rose By Any Other Name



"Patricia O’Brien had five novels to her name when her agent, Esther Newberg, set out last year to shop her sixth one, a work of historical fiction called The Dressmaker.
     A cascade of painful rejections began. Ms. O’Brien’s longtime editor at Simon & Schuster passed on it, saying that her previous novel, Harriet and Isabella, hadn’t sold well enough.
     One by one, 12 more publishing houses saw the novel. They all said no.
     Just when Ms. O’Brien began to fear that The Dressmaker would be relegated to a bottom desk drawer like so many rejected novels, Ms. Newberg came up with a different proposal: Try to sell it under a pen name.
      Written by Kate Alcott, the pseudonym Ms. O’Brien dreamed up, it sold in three days."
— Julie Bosman, The New York Times
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Buy all the books by Patrica O'Brien/Kate Alcott here...