Showing posts with label Will Self. Show all posts
Showing posts with label Will Self. Show all posts

Wednesday, August 14, 2013

"Ware2, guv?"


"It is a universally acknowledged truth that London’s black cabs offer the best taxi service in the world and no-one is prouder of this than Alf Townsend. An enthusiastic chronicler of the trade, he has played no small part in its history.
     Since gaining 'The Knowledge' (memorising 25,000 different routes within a 6-mile radius of Charing Cross) at the age of 29, Alf has been ferrying passengers around the capital and continues to do so today at the age of 72. Along the way, he has flirted with minor fame appearing on TV shows in the UK and the US, helped to found the Licensed Taxi Drivers Association and become a published author […]
     Alf has written a book, London Cabbie: A Life's Knowledge full of similar anecdotes. Will Self, whose novel The Book of Dave is about a London cabbie, has called it required reading.
     But Alf is far from a one-trick writing pony – he has also published a book called Bad Lads about RAF National Service and has another book coming out about his experience as an evacuee during WWII. Since he started writing seriously just eight years ago, he has now written four books."
BBC
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" […] In fact, The Book of Dave is a conflation of two potentially discrete books. The first is an oddly realistic, if gleefully supercharged, account of the declining years of Dave Rudman, a North London cabbie trying vainly to prise his son from the grasp of an absconding wife while operating as a sort of cosmic symbol for cab-land culture. The second is a dystopian vision of our northern metropolis in the 2500s, in which the 'Six Families' inhabit the deliquescing island of 'Ham,' while the outlines of 'New London' lie downstream in the murk.
     Uniting these two deeply uneasy worlds is the book of the title, the self-aggrandizing monologue hidden by vengeful, put-upon Dave in a Hampstead garden centuries before. From this the Hamsters derive their behavioural tools and spiritual understanding, greeting each other with the salutation 'Ware2, guv?',  acknowledging their daily deliverance from harm with the formula 'Thanks Dave, for picking us up.'
     Ham's protocols, its vocabulary, its fourth dimension, are extremely funny: pre-maternal women are 'opares'; the day divides into three 'tariffs'; while, in recognition of Dave's domestic difficulties, fathers and mothers live in separate accommodation, transferring offspring at 'Changeover'."
— D. J. Taylor, The Independent
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Wednesday, September 12, 2012

Man Booker Shortlist Unveiled

"Orwell’s second best-selling novel behind 1984
was rejected four times before going on to sell
20 million copies." — Flavorwire


"Novelists who struggled long and hard just to get their books into the shops after a string of rejections by big publishers have joined the more established literary names of Hilary Mantel and Will Self on a Man Booker shortlist which this year celebrates 'the power and depth of prose.' The six books in contention for the £50,000 prize came from what the chair of judges, Peter Stothard, called 'an exhilarating year for fiction – the strongest, I would say, for more than a decade.'"
— Mark Brown and Alison Flood, The Guardian
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"The six books were chosen by a panel of judges chaired by Sir Peter Stothard, Editor of the Times Literary Supplement. The shortlisted books were selected from the longlist of 12 announced in July.
     The shortlist is: [...]
     Tan Twan Eng, The Garden of Evening Mists (Myrmidon Books); Deborah Levy, Swimming Home (And Other Stories/Faber & Faber); Hilary Mantel, Bring up the Bodies (Fourth Estate); Alison Moore, The Lighthouse (Salt); Will Self, Umbrella (Bloomsbury); Jeet Thayil, Narcopolis (Faber & Faber).
     Peter Stothard, Chair of judges, comments: 'After re-reading an extraordinary longlist of twelve, it was the pure power of prose that settled most debates. We loved the shock of language shown in so many different ways and were exhilarated by the vigour and vividly defined values in the six books that we chose – and in the visible confidence of the novel's place in forming our words and ideas.'”
The Man Booker Prizes
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Thursday, January 12, 2012

Demanding Supply; Supplying Demand


"In a typically razor-sharp exchange of dialogue which establishes – yet again – that The Simpsons provides the most coruscating illumination of contemporary mores, Lisa says to her grade school teacher that 'Good looks don't really matter,' to which Ms Hoover replies: 'Nonsense, that's just something ugly people tell their children.' Stripping away the layers of irony from this statement we can reveal the central premise of Catherine Hakim's book, which is that not only do looks matter, but that they should matter a great deal more. Furthermore, the people who tell young people – and in particular young women – that their beauty and sex appeal are of little importance are themselves ugly, if not physically then at least morally.
     For, as Hakim sees it, [in Honey Money: The Power of Erotic Capital] it is an 'unholy alliance' of wannabe patriarchs, religious fundamentalists and radical feminists who have – in Anglo-Saxon countries especially – acted to devalue what she terms 'erotic capital.' In Hakim's estimation, for all young women, and in particular those who are without other benefits – financial, intellectual, situational – an entirely legitimate form of self-advancement should consist in their getting the best out of – if you'll forgive the pun – their assets."
— Will Self, The Guardian
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"I THOUGHT THIS book would be a treat. I liked everything about it, in theory: its subject matter (erotic capital, such as charm, beauty, sexuality, charisma and social skills — what could be more fun?); its author, who has an interesting reputation as an academic willing to challenge orthodoxies about what is good for women (she is a senior research fellow of sociology at the London School of Economics); its promise of big ideas about how society works.
     Honey Money however, is an acute disappointment. It looks like a book. It has hard covers, 372 pages, chapter headings, dozens of sources and footnotes, a fat price ticket and a press release from its publishers. But looks are deceptive. There is no structured argument being worked through in its pages. Instead, bewildered readers find themselves presented with repetitious, rambling, contradictory, ill-argued assertions, without the faintest sense from the author that she has written these sentences before. It is as if Catherine Hakim wrote drafts of her chapters, hadn’t quite worked out the essence of her thoughts, and then gave up the struggle, leaving us to figure out what she means.
     I’ll spare you the details of the incoherence and the baffling asides — Hakim’s belief that discrimination against the overweight is justified by the human rights of everyone else; her admiration for Silvio Berlusconi’s smiles; her assertion that, on the whole, only young women like sex. Stripped down (where was her editor?), the selling point of her book is that erotic capital is as important to our success in life as our wealth, education or social networks.
     This insight is described by her publisher as ground-breaking. Well, not since I first heard the story of Cinderella has that been news to me, or I suspect to you. Hakim claims that it’s a revelation to sociology, where the theories about the power relations between men and women apparently pay no attention to the role of attraction and sexual desire."
—Jenni Russell, The Sunday Times (via The Hatchet Job of the Year)
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