KIDDY LIT DISSED — PULLMAN DISTRESSED

From: YaleBooks

“‘We love great literature,’ it said. ‘We are excited by writing that changes the reader, and ultimately – even if it is in a very small way – the world. We love writing that is full of ideas, but that is also playful, funny and affecting. You won't write mass-market thrillers or children's fiction on our programmes. You'll be encouraged to look deep inside yourself for your own truth and your own experiences, and also outside yourself at the contemporary world around you. Then you'll work out how to turn what you find into writing that has depth, risk and originality but is always compelling and readable.’
     By the time I saw this, a number of children's writers including Philip Reeve had already protested. At first, the University couldn't see the problem. I tweeted the screenshot so everyone could see it and judge for themselves. It was picked up by the Guardian Children's Books feed, then by writers such as Patrick Ness and Michael Rosen, and is still being retweeted every few minutes, often accompanied by expressions of outrage and dismay.”

Earthsea, by Ursula LeGuin, is
considered one of the best books ever
written for young adults.

— Philip Pullman, The Guardian (Books Blog)
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Here’s a list of classic children’s literature…

Buy all or any of them here...

kids in space

From: still cool as...

"I write fiction for young people because I love the infinite imaginative space it offers. Children and young adults are incredibly open to the literature of the fantastic. So far this century, we've enjoyed stories about magic and wizards, vampires and werewolves, and post-apocalyptic dystopias. Yet the most fantastic subject of all remains unexplored territory: space.

     […] The prevailing wisdom in children's publishing is that space is a hard sell. Everyone is a little scared of it. No one knows why. I've discussed this with authors, publishers, booksellers, librarians; we all acknowledge that it's an anomaly.
     Some argue that space fiction tends to the kind of techno-fetishism that appeals only to older men. This seems to me a caricature of what space fiction can be. Others believe prose can never capture the majesty of space as powerfully as film. I think this is nonsense too. Words draw on each reader's personal stock of images, and can be as intensely evocative as pictures. Besides, children's literature has a rich tradition of illustration; it can use pictures as well as words if it wants to!"
— SF Sadi, The Guardian
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